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Jazz Shrinks Complex World - Jazz History

When I've had a belly full of the New Orleans, where the black man became
complexities of current events I find a in time a little lighter, and the white
jazz band in some out of the way place man often a little darker.The French and
and retreat for awhile into melody with a the Spanish, the African tribesmen often
big beat.For those of you who are turned with royal chief's blood under their
on by horns, I recommend a small watering heavy muscles - and even the Indian
place in Cleveland called the Lake Shore peering in - the long boats from
Club.There, Ted Witt and his Forest City Kentucky, and the Yankee mountain men in
Jazz Band hold forth on Saturday nights buckskin fringes - in for a big bust and
with the best music this side of New swallowing of untaxed whiskey - all
Orleans.Located through the courtyard of wanted music, and helped make it, said
an old motel, it is not the kind of joint Longstreet.New Orleans mixed it all up,
you would wander into cold turkey. But, and churned it around, and made it a part
take my word, the surroundings are of a new nation - that was part of a New
pleasant, the drinks unadulterated, the World where anything could happen.Today
prices average, the food good and the we call it history. But then it was
clientele well dressed without simple people, wild people, pioneers and
ostentation.I was introduced to jazz men on their way up in a hurry. All sang
while stationed at the U.S. Naval base in a lot and stomped around to music.Whether
Key West during World War II. The best it was in the Congo jungle of Africa or
honky-tonk in town had a small jazz combo in the tromped-down grass of Congo Square
of venerable black players, but the soul in New Orleans, it was rhythm that
jerking notes poured out on those Sunday started it all.Music and dancing, said
afternoons after church when the "colored the white slave masters, made the Negroes
folks" (their term) conducted a too tired to work hard, so the wild
funeral.No matter what day of the week a people from Africa just clapped their
black person might happen to meet his hands at first.Then they made a drum on
Maker, the funeral was held on Sunday. the sly and brought it out - when the
Then the fishermen would be home, no one Master was off somewhere else subduing
would lose wages, and the mood of the passions of his own wild country - to
religious contemplation would be remind them of their native jungles.An
deepest.After regular morning services, old horn was snitched from some white
lengthened by a substantial eulogy to the man's junk heap, or maybe a rusty old
deceased, the march to the grave yard banjo was given by a keel boatman from
began. The coffin rode in one mule-drawn Ohio who didn't give a damn about
wagon and an assembly of horn players in plantations and cotton anyway.At last the
another. The mourners marched behind in Negro had become part of musical America.
swallow-tail suits, high hats and formal He was ready to add a sense of freedom
dresses.The parade to the cemetery was and lusty beat that created a new musical
somber and featured plaintive hymns such art form peculiar to the United States.In
as "Just A Closer Walk With Thee," "Old time, jazz evolved through a variety of
Rugged Cross," "Amazing Grace," and "Will forms - spirituals, marches, cake walks,
the Circle Be Unbroken." Now, 30 years ragtime, blues and swing. But the basic
later, these tunes nearly break me up as foundation was always twelve 4-4 bars of
bittersweet memories flood back.The singable notes.Louis "Satchmo" Armstrong
return from the cemetery, however, was was the last of the Golden Generation of
jubilant as the marchers asserted their jazz musicians. Today we rely on the
faith that their departed companion was artistry of Pete Fountain, Turk Murphy,
well on his way to a just reward in Al Hirt and Ted Witt to carry on the
heaven. Of course there was "When The glorious tradition of authentic jazz.Ted
Saints Come Marching In," "Washed In The Witt is great on the licorice stick and
Blood of Jesus," and "Down By The still belts out a few numbers on the
Riverside." But there was also a lot of "fish horn" soprano sax made famous by
high stepping to "Georgia Cakewalk," Sidney Bechet. Ted's other front men,
"High Society" and "Muskrat Ramble."It Emmett Wiley on the slip horn and Dick
was a meaningful blend of sorrow, Petscher on trumpet, are ably supported
reverence, and Christian faith in a by John Bittance on bass, Bert Smith at
better life here after.Since those days - the piano, Al Gutheim on the skins, and
now gone I am told by travelers to the Bill Morehead on banjo.Somehow, when
southern-most Florida Key - I have those guys cut loose, such things as the
pursued the blue and golden notes in New economy, Watergate, and Mideast wars
Orleans, Nashville, St. Louis, Memphis, don't seem all that important.September
and Chicago. For there, in the 18, 1974
Mississippi Valley, is the true home of .Click here to see this article on
American jazz.Strangely however, I have Lindsey Williams's website.Lindsey
found the most creative practitioners of Williams is a Sun columnist who can be
this unique American music in Key West, contacted at: or Website: with over a
Cleveland, New York, and San Francisco. thousand of Lin's Editorial & At Large
One of the characteristics that has made articles written over 40 years.Also
jazz great is its ability to be exported, featured in its entirety is Lin's
and to be assimilated by diverse cultural groundbreaking book "Boldly Onward," that
communities.Where did it all critically analyzes and develops theories
start?Stephen Longstreet, the jazz about the original Spanish explorers of
historian, says it is best to begin in America.




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